Genre: Rock

School of Rock West Seattle Presents: Strokes vs HivesSun 10/4 Doors noonall ages$15adv/$20dos

School of Rock West Seattle Presents: Sounds of SeattleSun 10/4 Doors 3pmall ages$15adv/$20dos

School Of Rock West Seattle Presents: I Heart The 80s Sun 9/27Doors noonall ages$15adv/$20dos

School Of Rock West Seattle Presents: Best of the NWSun 9/27Doors 3pmall ages$15adv/$20dos

School Of Rock West Seattle Presents: Nu MetalSat 9/26Doors noonall ages$15adv/$20dos

Clock-Out Lounge Presents:Black Lips Escape-ismChico Detour Friday September 4th8:30 doors 21+ $30adv/ $35dos https://blacklips.bandcamp.com/album/season-of-the-peachBoasting an unapologetic southern-fried twang, with a clang and harmony that is unmistakably the inimitable sound and feel of the Black Lips. Their songcraft and stylistic evolution are as infamous as their now legendary live shows. The quintet saw the release of 2020s Sing In A World Thats Falling Apart via Fire Records. Resulting in their grimiest, most dangerous, and best collection of songs since the aughts. The result of two decades of impulsive living, wild nights, and determined attitudes make up the Black Lips.https://escape-ism.bandcamp.com/Escape-ism is the Found-Sound-Dream-Drama starring Ian Svenonius & Sandi Denton

Freakout Presents: Orchestra Gold Lace Cadence plus special surprise guests Saturday, Sept. 26th,8:30- Doors open at 8pm21+ FREEhttps://orchestragold.bandcamp.com/musicOrchestra Gold is a spell cast in rhythm and reverie. Psychedelic rock collides with Malian soul in a sonic ritual where fate dances with free will. Guitars shimmer like heatwaves. Horns speak in tongues. Grooves pull you sideways through time. Its spiritual. Its sweaty. Its a portal. Step in.

Sonic Reducer and Clock-Out Lounge Present: The Spits w/suprrr powrrr, Famous Lizards Sat 9/19Tickets $25 adv/dos 8:30 doors21+ https://slovenly.bandcamp.com/album/the-spits-self-titled-1-lpIn an era that relies so heavily on quick-hit bands, there are very few things that are truly part of the subculture and not just the passing zeitgeist du jour. Closing in on three decades, The Spits have signified the crossroads between punk mayhem and well-honed songwriting, creating some of the most unhinged and anthemic tracks in underground music while standing tall enough to be uttered in the same breath as names like Jay Reatard, Dead Moon, Ty Segall and more.The Spits are readying their highly anticipated VI, due May 1 via their own Thriftstore Records imprint. Recorded by Erik Nervous on cassette four track, the bands new LP VI is ten hummable tracks, shrouded in chainsaw punk that mesh the wild showmanship of party-rock legends Van Halen and the leather-clad toughness and songwriting chops of the Misfits. Marking a return to roots approach for the LP, the band decided to record and write VI in the basements of Kalamazoo and Grand Rapids, Michigan over the course of several spurts of activity, each yielding a few new songs from a terrible drum kit with a literal thrift store guitar. Weve only been into an actual studio like three times, admits Sean Wood. I dont think weve had one record that was recorded all in one place, this may be the closest thing. And for these songs wed record a couple tracks, step away and go back at it later sometimes weeks later. You know, take our time.Originally from Kalamazoo, Michigan, brothers Sean and Erin Wood formed The Spits with Lance Phelps in 1993 after realizing rock had gone limp, hated partying and just plain wasnt fun anymore. And even though they didnt even know how to play, the self-professed deliquents who grew up with New Orleansstyle jazz and bluegrass got cultured and formed a band dead set on reminding the world how to have a good time. The Spits didnt fit in with the punks or the garageheads when they landed in Seattle two years later, but carved out their own path with a series of empty open mic nights and parties under a bridge in the University District. Things started snowballing a year or two later with a good word from Mudhoneys Steve Turner and a reputation for livewire gigs.https://famouslizards.bandcamp.com/album/famous-lizards

Sonic Reducer and Clock-Out Lounge Present: The Spits w/ Sux, Dish Pit Fri 9/18Tickets $25 adv/dos 8:30 doors21+ https://slovenly.bandcamp.com/album/the-spits-self-titled-1-lpIn an era that relies so heavily on quick-hit bands, there are very few things that are truly part of the subculture and not just the passing zeitgeist du jour. Closing in on three decades, The Spits have signified the crossroads between punk mayhem and well-honed songwriting, creating some of the most unhinged and anthemic tracks in underground music while standing tall enough to be uttered in the same breath as names like Jay Reatard, Dead Moon, Ty Segall and more.The Spits are readying their highly anticipated VI, due May 1 via their own Thriftstore Records imprint. Recorded by Erik Nervous on cassette four track, the bands new LP VI is ten hummable tracks, shrouded in chainsaw punk that mesh the wild showmanship of party-rock legends Van Halen and the leather-clad toughness and songwriting chops of the Misfits. Marking a return to roots approach for the LP, the band decided to record and write VI in the basements of Kalamazoo and Grand Rapids, Michigan over the course of several spurts of activity, each yielding a few new songs from a terrible drum kit with a literal thrift store guitar. Weve only been into an actual studio like three times, admits Sean Wood. I dont think weve had one record that was recorded all in one place, this may be the closest thing. And for these songs wed record a couple tracks, step away and go back at it later sometimes weeks later. You know, take our time.Originally from Kalamazoo, Michigan, brothers Sean and Erin Wood formed The Spits with Lance Phelps in 1993 after realizing rock had gone limp, hated partying and just plain wasnt fun anymore. And even though they didnt even know how to play, the self-professed deliquents who grew up with New Orleansstyle jazz and bluegrass got cultured and formed a band dead set on reminding the world how to have a good time. The Spits didnt fit in with the punks or the garageheads when they landed in Seattle two years later, but carved out their own path with a series of empty open mic nights and parties under a bridge in the University District. Things started snowballing a year or two later with a good word from Mudhoneys Steve Turner and a reputation for livewire gigs.https://suxmusic.bandcamp.com/musicWith a musical style that can only be described as really good, SUX has captivated audiences worldwide. Revered for their relentless rock energy, they have earned a reputation as the best band in the world, leaving men trembling in fear. Their commitment to energy conservation is unwavering, always ensuring to turn the lights off when they depart any venue. https://dishpit666.bandcamp.com/musicSopping industry thrash and trash.

SAMA and Clock-Out Lounge Present:Sababa 5 DJ Darek Mazzoneplus guests TBAThursday Oct. 1st, 8 p.m. Doors 21+ $17adv/$20 dos https://sababa5.bandcamp.com/musicSababa 5 are a Paris-based band known for their hypnotic blend of Middle Eastern psychedelia, Mediterranean funk, and analog groove. Their sound fuses swirling organs, surf guitars, and irresistible rhythms into a style that feels both nostalgic and forward-looking rooted in vintage tones, but always evolving.After gaining global attention with the single Tokyo Midnight / Nasnusa, featuring Japanese singer Yurika, the band continued to explore new directions through collaborations and live performances across Europe. Their self-titled debut album and follow-up, Aspan, deepened their signature sound: a rich instrumental fusion of funk, disco, and Eastern melodies.In recent years, Sababa 5 have expanded their palette through projects with vocalists including Shiran Tzfira, Inbal Nur Dekel, Yurika Hanashima, Canay Doğan, and Sophia Solomon, balancing analog depth with cross-cultural energy.Known for their captivating live shows, Sababa 5 bring an immersive experience that blends groove, improvisation, and vibrant sonic textures, connecting with audiences across Europe and beyond.In 2025, they unveiled Nadir, their fourth and most ambitious album to date. Marking a new creative high, Nadir dives deeper into emotion, texture, and groove the sound of a band unafraid to move forward. This journey continues into early 2026 with the release of their fifth album, Ca Va Ca Va, embracing a celebratory Hafla sound a Middle Eastern party spirit fully supported by an extensive European tour.